unbibium: (homestar gaming)
When I was growing up in the 1990s I called BBSes and they had these text files describing how to build strange hacking devices and programs, how to hack the phone system, and other interesting things of varying legality. Sometimes it was just ideas for pranks and exploitation at K-Mart or McDonald's. See textfiles.com for examples, if it's still up.

In the 2000s, there was a cable channel called TechTV, and a show called The Screen Savers which was basically about emerging technology and online culture, hosted by Leo Laporte. And there was a young employee of the show named Kevin Rose whose first big segment was about the port 139 exploit in Windows. He gained a reputation as "the Dark Tipper", with the kind of stuff we used to see in BBSes. And this was how I knew him for many years, as he expanded his role on the show, as the Screen Savers was replaced with Attack of the Show with him as host, and as he and his AotS co-host Alex Albrecht hosted the video podcast known as diggnation, despite Rose living in SF and Albrecht living in LA at the time.

As his career progressed he tapered off the "Dark Tipper" stuff despite the demand from the likes of me. He hosted a more explicitly underground show called thebroken with co-host Dan Huard. The intro had this kind of campy cyberpunk "heroes on the run" thing. He started the show with him and his co-host each opening a 40. They started strong with a street segment where they hacked WiFi and even broke first-generation WEP encryption. Then they had this weird segment where Ramzi, a "hacker" correspondent, just downloads Bonzi Buddy over KaZaa while crazy foreign music plays in the background. And after that, they describe how to get a free pizza by trailing a walk-in customer, writing down their name and order, and impersonating that customer over the phone while complaining to the manager.

man, what a scummy show in retrospect. But it was all stuff that '00s me was happy to let slide. Why shouldn't we all just break into encrypted WiFi? Why shouldn't we laugh at funny foreign man doing bad acting? Why not lie to minimum wage employees and franchise owners to steal pizza? Indeed, I was able to wash my hands of all this because I was too lazy to actually try this stuff.

His heart wasn't in it anyway, and he made two more episodes: a short "oops, all Ramzi" episode and an interview with Kevin Mitnick. For years, people clamored for him to keep the show going, and he always gave excuses like they couldn't get Ramzi back.

Eventually they put out episode 4, and their way of apologizing for the long wait was a two-minute sketch where both hosts stumble are incapacitated by marijuana. The rest of the show continued the theme of tacky fratboy culture. The campy cyberpunk intro had a strip club scene now, and strip club scenes are scattered throughout to break up the long technical segments. The first segment was completely illegal cell phone jamming with a "don't do this in America" fig-leaf disclaimer. After another Ramzi bit about removing DRM, they do a bit about hacking the X-Box 360 to play backups, which includes this part where they stand outside of a Blockbuster, in Blockbuster uniforms, and tell their audience send pirated DVDs back to Blockbuster's DVD-by-mail service as revenge for getting "fisted" by the brock-and-mortar stores. Boy that aged like milk didn't it. There were credits, and then 5 minutes of bloopers where they showed how hard it was to make the funny foreign man say "dat ass".

Rose and Huard also put out a serious tech show with none of the GTA shit called Systm, which I think only had one or two episodes. I can't find it on YouTube, but I remember they had a circuit diagram with a debouncer on the first episode. I may still have a T-shirt I bought to support the show. His production company, Revision 3 Studios, would go on to make other stuff.

At some point, Kevin Rose got on the cover of BusinessWeek in shabby clothes for a "dot-com kid gets rich" story about Digg. Rose hated the cover, and Digg's fortunes didn't last.

I lost track, but at some point, Kevin Rose resurfaced an "angel investor"... and he'd still appear on This Week In Tech every so often.

and then, I heard Kevin Rose did the Joe Rogan podcast. this was back when Rogan was just a comedian with a super popular podcast, a lot of MMA expertise, a few ill-considered opinions, but was still many years away from becoming a full-fledged tool of the alt-right.

And he spent the first twenty minutes talking about keto.

I don't know why that felt like a revelation, or what it revealed, but I knew that I was no longer one of what Kevin Rose was. The geek species had diverged, into nerds like me, and tech bros like him.

All the TechTV alums were early adopters of bitcoin, but most fell by the wayside, as it became known how impractical it was as a currency, how wrought with fraud and crime the industry was. A few years in, Leo Laporte lost the password to his wallet, and it became apparent that his story was more common than the successful cash-out. But Rose stuck with it, to the point that Laporte doesn't want to give him airtime right now.

and I wonder, was Kevin Rose really a cyberpunk gray-hat hero who stuck it to the Man, only to become one of the Man's tools of financial dominance? Or do his old thebroken episodes betray ethical blind spots that were always there, and society has just disintegrated enough that our latest generation of capitalist sociopaths can exploit them? Are those ethical blind spots endemic to tech culture, ever since those 1980s text files telling us how to steal services from phone companies and mess with K-Mart employees?
unbibium: (Default)
At Heatsync Labs, my grandfather's Commodore 64 was hooked up to an SD card reader, using it as its main disk storage for about two years. That SD card reader broke.

Now, we used to leave the C64 running a little demo I threw together. It switches between a cyberpunk message generator, which shows random "VERB TO NOUN" calls to action in a large pixel font, and a Matrix rain effect screensaver. I've recently added images of my Oswald stencils to the screensaver part; people seemed to like it. These were on the SD card reader, and I never moved it to a real floppy disk, though I did put it on github.

We have a real 1541 disk drive set up, but there wasn't much on it. so last Saturday I looked through my storage box that I keep at HSL, and fished out all the floppy disks. Maybe one of them would have something comparable we could run as a demo. I found a lot of old pre-BBS stuff, including a random PETSCII face generator for the PET from 1978. And I found a copy of Screen Headliner, the program from Compute I used to make the large pixel font in my demo. I knew it was the one my grandfather typed in, because I remember having to find the Compute article online and type it in myself two years ago.

I did find one disk that had "Musicterm 3+" on it. I thought I could use it to download files to floppy disk. I was discouraged at first, because Musicterm only went up to 1200 baud, and the WiFi modem was set up to receive commands at 2400 baud. Getting the commodore 64 serial port to work even at 1200 baud is chancy, most terminal programs have custom timing to make higher baud rates work. Regardless, I wrote a quick hail-mary BASIC program to open the RS-232 device at 2400 baud, and print#5,"at$sb=1200" to it. To make a long story short, that worked, and I got the modem back into 1200 baud mode. Now I just had to figure out how to send files to it. If I could upload CCGMS, then I could switch back to higher baud rates.

I got out my aging MacBook Air and tried to install telnetd. After some trouble I did get it working, and was able to use Musicterm to telnet to the MacBook. I tried to use lrzsz from the command line to send files with XMODEM one by one, but the Telnet protocol has all these control codes that mess with the transfer, so it locked up.

I looked in the man page for lrzsz and there's a --tcp-server option that will open up a TCP port and listen for connections. So I put in my SD card, and in the MacBook Air, I typed lsx --tcp-server CCGMS. It annoucned that it was listening on port 49700. On Musicterm, I entered terminal mode and typed atdt flatty:49700 and it responded connect 1200. I activated Musicterm's Xmodem download, and the transfer succeeded without a hitch.

So right now, in the 1541 disk drive at Heatsync Labs, there is a disk called "Games #1" that contains some games I mostly downloaded from BBSes back in the day, and a cheesy menu program I wrote back then too. I copied the cyberpunk demo to that disk, and listed it as the first game in the menu. I also optimized the menu program and got rid of a custom font that nobody would have noticed. The back side of the disk has CCGMS and some other stuff on it.

I copied a few things off the disk onto the MacBook Air too, so I could delete them off the floppy disk and make room for more games. these included instructions for a TV descrambler and an application form for a BBS that I don't remember calling. I'm such a packrat.
unbibium: (future self)
I have in my possession, 8-bit computers that are over 25 years old.

I have actually a massive collection in my parents' garage, twenty miles away. But I also have a fair amount cluttering up my apartment. Specifically, I have a complete working Atari 800XL with Atari 1050 disk drive, and a Commodore 64 with a 1541 disk drive. I grew up with both of these setups. I also have a monitor that works with both computers.

Now, I have the usual excuses for keeping them that collectors tend to have. But there's a unique one, in addition to all that.

Jason Scott made a BBS documentary, and I want there to be a BBS movie.

But, I have to accept that I can't make a movie, nor can I persuade someone else to start making one. I can write one or two scenes in a script, but that's about it. And, indeed, making a movie set in the 1980s is probably impossible for a low-budget movie anyway, considering how much has changed visually in the intervening decades. But one thing you'd need, that would probably cost a lot if you had to do it from scratch, is a pile of 1980s technology.

I can't seem to work up the will to throw this away. But I can't help but wonder if it would not only free up space in my apartment, but also space in my mind for other, better dreams.
unbibium: (Default)
When I was twelve, Tim Burton's Batman movie had just come out, and I just got my first 1200 baud modem. So on Phoenix-area BBSes at the time, I was known as "The Joker".

And now it's going to be a ridiculously common Halloween costume.

Screw that; I'm going as Pac-Mario.
unbibium: (Default)
Not that I'm face-blind, but I can't tell if DO has two horrible female friends or one.

It just occurred to me to compare the character to various Hollywood versions of the geek.

Densha Otoko has apparently grown up to believe that women are mythical creatures, and having a girlfriend is beyond consideration. He's a grown man who dresses like a 12-year-old, and can't control his breath when talking to a real woman. The only time I can remember this archetype being even attempted in a Hollywood movie is in The 40-Year-Old Virgin. Because in Hollywood, nerds are not only more handsome than in real life, but they're also more brave. Sometimes, even pushy. Children are allowed to be nervous about asking women out, but adults never are.

But no Hollywood nerd's story was ever based on a real BBS thread. So from this, we can assume that the Japanese image that stems from this series will be closer to reality. And thus, Japan's reputation as being nerdier than America is secure. Little do they know, we ourselves have plenty of guys who dress like 12-year-olds, and know more about mythical anime women than real women, but Hollywood doesn't write about them... yet.
unbibium: (stinko-ellipsis)
In the past week or so, I've learned as much as a Westerner can be expected to know about Monar, the species of ASCII-art cat that keeps showing up, from dirty flash animations like Chinko Anesan, to squeaky-clean derivative Javascript games like Super Maryo World.

It turns out that it's not just any cat with a changing facial expression. Rather, each facial expression is a different cat. The eponymous Monar is always happy smiles, and the one with the freaking-out Cyrillic face is perpetually freaking out. That's a little sad. Even Strong Sad cracks a smile now and then.

It also turns out that the ones in the Numa Numa video aren't the real deal; they're derivatives that were going to go commercial, and those are called "Noma neko", translating loosely to "drinky cat".

And none of them have any connection to that sleeping cat you used to see in Usenet signatures.
unbibium: (Default)
The commentary seems to complete the story in the case of the first CD. Such as, why was the sysop of CBBS/NW doing his interview in a bowling alley?

The sysop of CBBS/NW was upset when they closed down his favorite bowling alley in Oregon. So he bought his own bowling alley, on eBay, in Kansas, and moved there to run it. So that's where he interviewed.

Another evil thing I thought of when considering the Creative Commons license: one could make a version of this documentary that's exactly the same, but all scene changes are star-wipes.
unbibium: (Default)
The documentary episode that chronicles the end of the BBS tells us about the BBSes that are still up and running, some on phone lines, and others hacked together to run on the Internet.

There's a RetroBBS mailing list to which I'm subscribed, but don't participate, because mailing lists are hard to participate in for me.... too much wading through quoted text, etc. That's the one thing I miss about BBSes: no quoted test. You'd just hit 'P' and the previous message would appear if you got confused.

I also remembered, for some reason, the most fun I ever had on a nearly-empty BBS.

It was called Catalyst, and ran on TBBS, a program designed for multi-line BBSes. But the only active participants included me, author Diane Duane, and a 15-year-old probably named Scott who had a zit so big he named it. We all called at least once every two days. I had my computer rigged to read the output aloud with a program called SAM, but I not only forget how, I also forget whether I did it on an Atari or a Commodore 64.

Diane Duane wrote "Spock's World", in which we learn that the Enterprise has a BBS that the crew uses.
unbibium: (jeffk)
Found while combing through textfiles.com:

1. "THANK YOUR PARTNER FOR THE GREAT TIME, AND SMOKE A CIGARRETTE (IF YOU DON'T SMOKE, DRINK A PEPSI!) HAVE FUN!!"
2. "When you talk to chicks, don't talk about boring things. Talk about exciting things: wiping out on your skateboard, surfing, getting totally blasted, you know, stuff like that."
3. "...walk through the same way she goes and it'll get crowded so you'll both have to turn sideways and when she does her tits will be against your chest.Step forward for an ever better feel. Oh what a feeling!"
4. "...get her in [forget to invite others] the pool and swim around, chase her a little bit *accidently* touching her in places. One of these times accidently [G-D forbid] undo her bathing suite, she might or might not notice." Nice touches: hyphen-blanking "GOD" and praising the file linked to in #3.
5. A straightforward list of pickup lines. Read as many as you can, as fast as you can, and don't stop for any reason.
unbibium: (Default)
There was an extra features blurb on disc 3 about a DJ that called a BBS.

In Phoenix, I heard there was a BBS run by KUPD, the local rock station, for a little while. It may have been before my time.

Also, a local anchorman, Roger Downey, used to be a regular on the Atari user group's BBS, and even ran their meetings for a while. I think he still works for Channel 5.

Who's the most famous, media-connected, or powerful person to call your local BBS? Has a state governor ever called one?
unbibium: (Default)
The story of this part is also outside my realm of experience. For one, I was never a sysop, so I never had to purchase BBS software. And second, pay BBSes were rare in Phoenix.

There were four pay BBSes of note in the Phoenix area that I can remember vividly.

The first was APECS, a multi-line BBS that cost $2 an hour in the late 80's. I only got to enjoy about $20 worth, outside a "free week" where they opened up access to all the features for everyone.

The second was D-Base V, which was a homebrew BBS, and you paid for access to special features, such as "nukes" which you could add a message that would kick a particular user off the BBS for the rest of the day. People used those on me constantly. It had a profanity filter that would prevent you from typing swear words. And when you selected "Chat with Sysop" from the main menu, it would start up an Eliza-like program.

In the 90's, that's when multi-line came into its own. There were three boards of note: Sho-Tron (aka the Rock Garden), at 20 lines and 60¢/hr, Smorgas Board at 8 lines and 35¢/hr.

I have vague memories of a board called Crossroads that seemed to vaguely invoke the Internet, and a few others that may have been more business-based than I could comprehend at my young age. I think that I trained myself to just forget about any BBS that asked for money, as I was too young to earn my own money until well into my Internet years, and my computer was usually a few years out of date anyway.
unbibium: (Default)
I think I know why ANSI art was singled out above ATASCII, PETSCII, etc. -- it was definitely more hardcore than anything I'd experienced doing menus for Commodore boards. But then again, I worked mostly for local Monty Python themed boards. Nobody formed groups. It was hardcore not only in the scope of the organizations, but in the sense of the art they produced.

iCE and ACiD, the two large ANSI groups featured in the episode, both have a web presence now. ACiD has a radio show on their site, which stopped producing episodes just a few months before podcasting really started to take off. And while ANSI looks great on dumb terminals, it doesn't work on Usenet or in HTML, which is why you see more ASCII art these days. I used to follow Joan Stark back when she released something every month, but all this time has passed and she's still on Geocities. In the meantime, the top Google hit for the "ascii art" search is Chris Johnson's ASCII Art Collection.

I never followed ANSI, because it never looked right on a Commodore 64, or even an Amiga 500. By the time I got a PC, I was already on the Internet. So I didn't realize that people would create gigantic scrolling murals, 80 columns wide but infinitely tall. Nor did I realize that it continued well into the 90's. This gave a strange quality to the stories, as it made things like conference calls and multi-line BBSes more common.

One thing that I always found attractive about ANSI art, ASCII art, and other character-based art forms, is the idea of constraints. In ASCII, what can you do with 95 tiles and no choice of color? That's why I'm not so fond of ASCII that cheats with computer-generated HTML color tables and tiny font sizes -- the tiles become irrelevant. Give me cats in a dozen lines or less. My favorite is the 4-line sleeping cat with the 4 for a nose, the perfect size for a Usenet signature.
unbibium: (Default)
Episode 2, being less of a technical/historical nature, and more of a sociological focus, is the one I might be more likely to show people unfamiliar with BBSes.

I wonder if they'd ask how that was different from the way the Internet is used today, but it became more apparent as it progressed that BBSes were more locally defined than anything on the Internet.

Even local groups on the Internet don't seem to bind so tightly. I think about the story of the woman who had the affair online, where the husband found out and they got into a fight, and dozens of people showed up to break up the fight and help her move out. Am I cynical, or would that never happen if, for example, the same thing happened to someone in [livejournal.com profile] t_h_e_m, or on Friendster?

The consequence of being a woman on a BBS never occurred to me. It differs from being a woman on the Internet, in that the SysOp could break into chat as soon as you typed a female name into the new user form. That totally baffles me, as it's so incredibly obviously anti-cool that it sounds like the first thing an old SysOp would tell a prospective SysOp never to do.

As an extra added bonus thrown in, title cards are only used for their intended purpose -- titles, not narrative. Splendid.
unbibium: (Default)
I just watched the first episode of The BBS Documentary.

I found it kind of interesting, but only because I lived it. If you've never heard of a BBS before, it will put you to sleep.

Far be it for me to blame lazy directing, since this thing took over three years to film. But, there's too many title cards explaining all the fundamentals, not enough demonstration. In fact, we don't see what it looked like to use a BBS anywhere, except in one Computer Chronicles clip. We get to see Ward Christensen's CBBS machine posed next to the couch, but we don't see them powering it up, or trying to. We hear about people leaving messages, and we see a few printouts of them that are too close-up to read, but apparently none of them were worth reading aloud. The result: lots of talking heads, with a few photos and video clips. I wonder they tried to put more action in, but the result ended up even more boring than the title cards. Text interfaces aren't very exciting, but they're an integral part of the story. Taking ten seconds to go over a typical menu and explaining Read, Post, and Chat with SysOp, would have gone a long way, and this episode seemed like the right place to do it.

The only time we see a computer actually doing anything, is during the closing credits when an Atari 8-bit was booting from disk and making lots of happy noises. If you're going to show a computer booting up, make it an Atari.

But it occurs to me that this thing has a Creative Commons license, so, in theory, I could remix the whole thing and improve on it. The prospect boggles me, because as much at it would help, I don't think it would be polite. But it would allow the rest of the work to shine through as it was intended to. I know these stories are more interesting than they're presented in the documentary.

There was an interesting juxtaposition when a bunch of interviewees started talking about their preferred brand of 8-bit machine, and then were depicted talking about how all the other brands sucked. That gave a good idea of the rivalry, and that little table from the computer ad, paired with the guy calling them "Ford vs Chevy" arguments, really summed up the arbitrary nature of it.

Perhaps the other episodes will have more style; I'll post reviews if they are.
unbibium: (Default)
Know what I miss? The BBS interface. Know why? No fucking scrollbars and subwindows.

This is why I can't keep up-to-speed on listservs. I end up having to scroll through message after message, where nobody trims their quoted material so I have to play hide-and-seek for who said what.

Web message boards are a little better, but they seem to be so strictly thread-based that you can't just Read All New. And I'd like to see a web board that can be comfortably operated entirely with a keyboard.

Maybe I'll have to code it myself.

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